Midas VeniceF Especificações descarregar pdf (Página 6)

4 Application Guide

VeniceF

Application Guide

The VeniceF’s FireWire hardware switches are capable of routing audio from the VeniceF to

and from the computer in a number of different ways, depending upon the users

requirements. The RECORD software includes a number of Midas-designed templates to help

you get started. These templates are as follows:

16, 24 & 32-track multi-track recording, playback & virtual soundcheck

Outboard FX rack (reverb, delay, chorus, pitch shift, etc)

Outboard inserts rack (compression, EQ, mixers & FX)

Virtual mixer (gate, comp, EQ, aux sends, level & meter for each channel)

The VeniceF and Propellerhead software can perform many of the above functions

simultaneously, depending upon the performance of the computer you are using, and the

overall latency which is acceptable for the application. Generally speaking, the use of a

reasonable computer and the Propellerhead software will add no more latency than

encountered when using a normal digital mixer, and even then only in the last two scenarios,

where the processing is configured as channel inserts on the VeniceF. This is dealt with in

greater detail in the section titled LATENCY – WHAT IT IS AND HOW TO MANAGE IT.

From the RECORD FILE menu, select one of the Midas templates.

Multitrack recording and virtual soundcheck

The multitrack templates include a recording so you can start mixing on your VeniceF right

away. Open the appropriate template for your VeniceF frame, 16, 24 or 32 input channels.

Note that you can mix down a 32 track recording on a smaller frame, by using RECORD’s

virtual rack mixers to create sub-mixes of tracks, which can then be routed to inputs on the

VeniceF. Make sure that all of the VeniceF’s inputs have the FireWire input selected, including

the stereo channels, which are used for FX returns.

Your own multitrack recordings can be archived and remixed at a later date, or played back

via the VeniceF ‘s FireWire inputs and used for “virtual soundcheck” in the absence of the

performers.

The VeniceF’s inputs can be switched between analogue and digital (FireWire) inputs on an

individual channel basis. This means that selected input channels can connect to a “live”

microphone, while other inputs connect to the multitrack recording in the computer. This

allows a mix of playback tracks and live mics.

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